A great play day attended by Gabi, Marg, Bronwyn, Sue and Kerry lead by Victoria -showing us the techniques for etching on lino. We all started with a 15cm square lino and painted the back and sides with shellac (as shown by Kerry and Bronwyn in the photo below). Most of us used plasticine as our resist, although masking tape, candle wax or acrylic vanish can also be used. Designs were drawn onto the lino, with the resist preventing etching.
A ‘well of plasticine’ was put around the edge of the lino (as demonstrated by Gabi on the photo above) to prevent the caustic soda from spilling over. All the lino plates were taken outside and spread with Selleys Oven plus heavy duty gel (as the caustic soda)being careful to wear gloves. Procedure as shown below.
We then left the lino plates for an hour for the caustic soda to etch the lino. The plates were then placed on the lawn and vinegar was poured over them to neutralise the caustic soda. As shown in the photos below. Then hosed off with water, and the plasticine (the resist) was taken off revealing the completed lino.
The final plates are then dried and oiled so that the etched areas do not dry out.
We are now looking forward to printing with the finished lino plates. Victoria is also repeating this play day again on Wed June 27th. The people who have booked in are Giuliana, Coralee, Lorraine, Dolly, Annette and Glenda.
Many thanks Victoria for showing us this great technique and bringing all the materials that we needed – we all loved it. A great morning.
A great big thank you to Simone for running a great Linoprint play day. We all had a great day. Simone went through the process clearly explaining the process step by step and reminded us of our composition, drawing on the lino and cutting techniques.
Many thanks to Gabi, Annette, Giuilana, Victoria, Bronwyn, Lucy, Tania, Coralee and a lovely new member Kerry for attending.
We all patiently cut our lino. Some were able to even get to printing using a barren or the press.
Always lovely to share ideas and helping each other in a caring environment.
Thank again everyone see you at the next Play Day in June
A very creative group of printmakers gathered at Wallace House in Noosaville for our weekend workshop in two contemporary lithography techniques taught by Judy Barrass and Victoria Atkins. Gabi Dick’s delight at the outcome (below) says it all.
On Day One participants were introduced to waterless lithography, and, with a very steep learning curve, by the afternoon they were making two two colour prints.
It was a day full of learning and heads were spinning with too much information, but Judy and Victoria promised a free ‘playday’ follow up in a few weeks to reinforce the learning. By then they hope participants will be confident enough to share their new skills with the rest of the group.
Sunday saw a change in direction with the introduction of polyester lithography, which offered a somewhat more relaxed learning curve after the complexities of the waterless process . There were some great results.
Printmaking is about loving the process, and this introduction to two new processes has added to the tools artist printmakers in Noosa and beyond have at their disposal. We are extremely grateful to Noosa Council and Arts Queensland for the RADF funding that made this workshop possible. Lots of fun, lots of new ideas, and a rich sharing printmaking community.
“The Regional Arts Development Fund is a partnership between the Queensland Government and (name of council) to support local arts and culture in regional Queensland.”
In August the delightful Coralee Asker shared her experiences with eco dyes with the group. These notes and images are courtesy of Victoria Atkins who participated in the workshop. Thank you for the documentation Victoria.
Paper: Experiment with different papers. Some that work: Brown craft paper thin, 200gsm card, 75/80gsm paper and and even lower, shiny paper, printmaking paper. If you soak paper you get different results – one side can be soaked paper with mordant. When using a coloured paper, a lot of the colour gets cooked out and some it keeps.
Plants: Experiment. Some that work: Fennel makes a really soft image, Bloodwood gum -dark mark, Wattle -green marks in, copper, She oak -Graphic , Nasturtiums -quiet mark, Geraniums- quite distinct, Ferns -clear marks, use the back of the leaves, Lilly pilly, Macaranga, Grevillea, Dried leaves can be used if soaked.
Mordants: An aluminium pot works as a mordant or use alum – get from pharmacy, copper sulphate, iron sulphate. Each will give different results with the same plant material.
Thanks Coralee for an awesome fun workshop and Victoria for the comprehensive notes and images.
MOULDED PRINTS Play Day Wed April 12th with Judy Barass
A good turnout for a great play day. Many thanks Judy for your time and expertise in showing us all this great technique. Everyone brought along a print with oil based ink and as shown in the photo below (as demonstrated by Judy) the print was rubbed off the paper of the print.
The paper from the back of the print was placed in the blender with water. Then squeezed out until still damp as shown below
The print was placed around the outside of the dish then lined with muslin and then the blended paper pulp pushed on the inside of the muslin as shown below
Some lovely examples below of the finished moulded prints. Many thanks to Victoria for taking the photographs.
Thank you to the wonderful band of helpers Dale, Di, Gabi, Bronwyn, Rita, Lorraine, Glenda, Giuliana and Judy.
My favourite moments were when Amy, who was first comer on the day and totally entranced with printmaking, starting becoming one of the facilitators and showing others what to do after an hour or so. And the wonderful little girl who had just the right muscles for using the barren.